Articles published by William Horne
“Text and Music in Brahms’s ‘Es tönt ein voller Harfenklang,’ Op. 17, No. 1,” American Brahms Society Newsletter 41 (Spring 2023): 4‒9.
“At the Intersection of Performance and Composition: Joseph Joachim and the Third Movement of Brahms’s Piano Quartet in A Major, Op. 26,” in The Creative Worlds of Joseph Joachim, edited by Valerie Woodring Goertzen and Robert Whitehouse Eshbach. Woodbridge: The Boydell Press, 2021, pp. 191‒217.
Beethoven’s String Quintet in C Major, Op. 29, and Brahms’s String Sextets: A Wallflower Blooms,” Nineteenth-Century Music Review 18/2 (2021): 241‒268.
“[Brahms’s] Personal Habits,” in Brahms in Context, edited by Natasha Loges and Katy Hamilton. Cambridge: Cambridge University Press, 2019, pp. 44‒51.
“A Multivalent Allusion in Brahms’s First Violin Sonata, Op. 78,” American Brahms Society Newsletter 36 (Fall 2018), 1-5.
“Amelia Sarah Levetus in Brahms’s Vienna,” American Brahms Society Newsletter 34/2 (Fall, 2016), 1-6.
“Who Was Frl. Köckert?,” American Brahms Society Newsletter 32/2 (Fall 2014), 4.
“Brahms and Karl Grädener’s Harmonielehre,” American Brahms Society Newsletter 30/2 (Fall 2012), 6‒8.
“Recycling Uhland: Brahms and the Wanderlieder,” NOTES 69/2 (December 2012), 217‒59.
“The ‘Still Center’ in Brahms’s Violin Concerto, Op. 77,” American Brahms Society Newsletter 29/1 (Spring 2011), 1‒5.
“Late Beethoven and ‘The First Power of Inspiration’ in Brahms’s Variations on an Original Theme, Op. 21, No. 1,” Journal of Musicological Research 30 (2011), 93‒130.
“The Hidden Trellis: Where Does the Second Group Begin in the First Movement of Beethoven’s Eroica Symphony?” Beethoven Forum 13/2 (Fall, 2006): 95‒147.
“Through the Aperture: Brahms’s Gigues, WoO 4,” The Musical Quarterly 86 (2002), 530‒81.
“Brahms’s Variations on a Hungarian Song, Op. 21, No. 2: ‘Betrachte dann die Beethovenschen und, wenn du willst, meine.’,” in Brahms Studies 3, ed. David Brodbeck (Lincoln: University of Nebraska Press, 2001), 47‒121.
“Brahms Biographies,” in Reader’s Guide to Music: History, Theory, and Criticism, ed. Murray Steib (Chicago: Fitzroy Dearborn, 1999), 93‒5.
“Brahms’s Opus 10 Ballades and his Blätter aus dem Tagebuch eines Musikers,” The Journal of Musicology 15 (1997): 98‒115.
“Brahms’ Heine-Lieder,” in Brahms als Liedkomponist. Studien zum Verhältnis von Text und Vertonung, ed. Peter Jost (Stuttgart: 1992), 93‒115.
“Brahms’s Düsseldorf Suite Study and his Intermezzo, Op. 116, No. 2,” The Musical Quarterly 73 (1989): 249‒83.